The Church Critic:
An Exciting New Career Opportunity?
For The Tacoma News Tribune
August, 2001
If I ever need to change careers, I think I
might become a church critic. Of course, I’d be a synagogue
critic, a mosque critic, and a shrine critic too - it change
depending upon which house of worship I visited each week.
“But wait,” you object, “Glickman, you’re not even
Christian! Don’tchya think you’d have a credibility issue on
your hands if you decided to critique churches? Or mosques? Or
shrines?”
“Well,” I respond, “does Bart Ripp ever critique
restaurants serving types of food he’s never eaten? Does movie
critic Soren Andersen ever write about movies set in places he’s
never visited?” Of course they do! Just as these guys evaluate
material outside their own experience, so too could I write with
authority about religions other than my own.
Heck! If Bart Ripp can describe himself as a “hired belly”…
then why can’t I be a “hired soul”?
The possibilities are so exciting! My weekly critiques would
each highlight a different house of worship, and asses the
service there based on several criteria, rated on a scale of one
to five smiley-face suns (using crosses, menorahs, or and
crescents might offend, of course, and the sun is so
universal!).
The first criterion would be Atmosphere. How was the
lighting? Was the sanctuary too hot or too cold? What about the
sound system? Was the prayerbook too heavy? Did it still have
its ribbon? Did a Friendly Person greet me at the door? How big
was that person’s smile? (I’d have to measure, of course).
Was I immediately assigned a mentor to show me around, help me
find my place in the hymnal, introduce me to the pastor, and do
my taxes?
Perhaps most important would be the issue of “pew-cush,”
for worship without adequate padding for the supplicant derriere
tends to just not work.
Another criterion would be Form. Was the pastor
clean-shaven, or was she unkempt? Were the vestments neatly
pressed? Was the music hip, or outdated; newfangled, or
traditional? Did the pastor speak in a deep, sonorous voice, or
did he sound like Barney Fife? Did the choir harmonize? Did the
organist flub any notes?
And finally, Content. Was there anything objectionable
in the liturgy? (Religion, we know, should always please, rather
than challenge. ) Did the sermon make the worshippers feel good,
or did the pastor have the audacity to say they should be
better? Most important, did the congregation agree with
the sermon? If not, then the pastor certainly should have chosen
another topic.
Sounds exciting, doesn’t it? However, as I think about it,
I’m beginning to anticipate a problem. When Ripp or Andersen
compose their restaurant and movie critiques, they are
evaluating the professionals. The chefs cook the food, the
actors and crews make the movies, and the critics tell us how
well they did.
But the experience of public worship is different. Here, the
quality of what happens depends just as much on the other “patrons”
as it does on the professionals. At a church, synagogue, or
mosque, the leaders of worship obviously have an important role
in determining the quality of the experience. But the
congregation’s role is just as important. For worship to “work,”
worshippers themselves need to bring open minds and loving
hearts to the service - for it is through religious struggle and
sincere love that we create prayerful communities. Even the most
brilliant sermon, or the most uplifting music, will fall flat as
worship for those unwilling or unable to be engaged by it.
Creative liturgy will die an awkward death in a congregation
stuck on always doing it the way they’ve always done it, while
religious tradition will be empty for a congregation bent on
rejecting everything written prior to the debut of “Baywatch.”
So maybe it isn’t the “church” as an institution that I
should critique. Maybe I should evaluate the worshippers
instead. After all, the true quality of the worship experience
is just as much their responsibility as it is that of the person
leading them.
But critiquing individual worshippers would be problematic,
too. It would take too long to evaluate them all, and even then,
who am I to assess what you or anyone else puts into your
worship. I could never fully grasp the extent to which your
praise is genuine, your thanksgiving sincere, your requests
heartfelt.
So when it comes right down to it, my friends, I guess it’s
up to you. Yes, feel free to critique your clergypeople - the
good ones will appreciate constructive criticism as well as
compliments. But examining yourself as a worshipper is far more
important. Ask yourself, “Did I do everything I could to make
this worship experience a good and holy one for me and for those
around me?” If the answer is anything close to yes, then go
ahead, give yourself five smiley-face suns for the day. Heck, do
yourself a favor this time and add a sixth. You deserve it!
Or better yet, maybe we could just eliminate this “critique
thing” from services altogether. After all, concentrating on
the quality of worship tends to make it difficult to…well…to
worship. Instead, maybe we should go to our church, synagogue,
or mosque and focus our efforts not on criticizing, but on
praying. Just praying. Sincerely. From the very depths of our
being.
Then we could truly worship, leaving the criticism up to
professionals, such as Bart and Soren, who know how to do it so
well. And as for me, for now I’ll stick with the career I’ve
got, because helping people worship with sincerity is important
work indeed.
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